Mohawk Introduces A Makers Field Guide

 
Mohawk Fine Papers (Cohoes,  N.Y., USA) North America’s largest privately-owned manufacturer of fine papers, envelopes and specialty materials for commercial and digital printing is proud to announce the release of A Maker’s Field Guide to Digital Materials and Digital Processes, the latest in a series of comprehensive, printed guides designed to bring inspiration and education to designers, their clients and printers on the importance of choosing the right materials and process for print.

"The new Maker’s Field Guide to Digital Materials and Digital Processes is the latest expression of Mohawk’s ongoing commitment to demonstrating the pivotal role materials play in the success of any project designed for print," said Chris Harrold, SVP, Marketing & Creative at Mohawk. "This edition should prove to designers that digital printing is no longer a compromise, but a sophisticated, agile means to produce beautiful print on an impressive range of materials from fine paper to durable synthetics."

A Maker’s Field Guide to Digital Materials and Digital Processes was created by Hybrid Design of San Francisco to complement Mohawk’s ongoing series of educational Field Guides. Third in the series, this new Field Guide was designed to demonstrate the flexibility of the latest digital printing presses through print demonstrations showing both paper and non-paper materials.

"The new maker needs to work smarter and faster; this means considering design beyond the screen—using materials and processes to translate ideas into physical experiences," observed Dora Drimalas, Principal and Executive Creative Director at Hybrid. "From speed to iteration to experimentation, digital printing is a tool that has evolved to meet the nimble needs of the new maker. It’s time we started thinking big(er) about print."

A Maker’s Field Guide to Digital Materials and Digital Processes recasts digital printing as an answer to the agility of modern workflow. It meets the needs of faster timelines, collaboration, iteration, personalization and the ever-climbing expectations for beauty supported by function. In short we are at a moment in time where the tools for printing are catching up to the needs of the new maker.

The entire 71 page book, including the cover and dust jacket, demonstrates 22 different digitally printed materials and is organized in three useful and high-impact sections:

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